Master’s thesis “Reduction of construction” shows the exercise of building new thought spaces in the middle of things and transferring them to paper. By experimenting with what could happen, and what happens in the imagination, we arrive at the result that by releasing the decorations, architecture turns into something completely different. By putting oneself in the space, the drawing becomes a product of it. The work becomes an intuitive reaction that arises between the artist and the space, and the language is the blueprint geometry of the architectural sketch. In fact, it is a special, irregular construction that is formed by a multitude of circumstances found in space and it is capable of more than just mirroring the beautiful inner harmony of nature. Therefore, before it takes a recognizable form, the work has a free and sketchy outline, so I can say that it offers “feeling that precede forms and representations, and that they create it. With its linear representations, the work leads to simplicity and emptiness and shows an escape from the world of illusionistic representations into the world of overcome allusiveness. Dealing with the question of the relationship between man and space, one concludes that man himself is a being who, together with his symbols, establishes space as a dimension in which he will realize his need to establish his own world in his own way. Space as such becomes the medium of unification of worlds in man and the medium of virtual worlds in which the acquired linear structures flow into new, virtual forms. The fragmentation of modern man is shown, lost in consumer non-places without identity and center, and is evoked by the reduction of modern man's life to progress at the expense of purpose, in the manner of competition from which there is nothing bustle and loneliness, but also a kind of fear.